<HTML><FONT FACE=arial,helvetica><FONT SIZE=2>
<BR>**
<BR>
<BR>Oren of Hipocc stood with his feet ice cold in the snow as he somberly took a
<BR>head count to see who was currently assembled and who was available to
<BR>attempt to retake the tower.
<BR>
<BR>Shamgar the rhino was there. He was a tough bugger, able to take a scimitar
<BR>in the brainpan and come away thinking that his opponent was being playful.
<BR>Unfortunately, his head was nearly as thick inside as it was outside.
<BR>
<BR>Shamgar's girlfriend, Blake was there. She was trained in the ways of the
<BR>assassin. Unfortunately, she was truly bad at them, and at present, she was
<BR>a blithering lunatic, all of her attention focused on the severed lutin hand
<BR>which she'd managed to claim.
<BR>
<BR>Desuka was patting himself to keep warm. The panda was an indoor man,
<BR>accustomed to life among artisans and scholars within the Temple of the
<BR>Creator. He was a gentleman, not acclimated to cold nor warfare. Still,
<BR>there was the rumor that the tinge of red in his fur was a hint at the savage
<BR>beast he transformed into whenever he became enraged.
<BR>
<BR>Jesse Roo stood at attention, looking very serious. This gave Oren cause to
<BR>worry. The kangaroo was a formidable fighter, with a unique magical weapon
<BR>few could match. However, his lack of frivolity spoke of a troubling deep
<BR>down. Oren thought he knew what it was. Jesse's mother had remained in
<BR>town, and might very well have already been killed.
<BR>
<BR>Natalie sat perched in the bare branches of a tree, watching in the direction
<BR>of the Keep and the lighthouse for any sign of activity. She was also a very
<BR>valuable asset, being not only a dragon, but a magician who specialized in
<BR>shrinking her enemies. Of course, Natalie wasn't a fighter. Her special
<BR>power was only ever employed as a means of escape.
<BR>
<BR>Xan, Leo, Sambrea, and a handful of others from Oren's homeland stood ready.
<BR>
<BR>They were the young Hipocci warriors, untrained and untested in battle. They
<BR>were willing, but were they able?
<BR>
<BR>Lastly, there was Oren himself. Would the otter be able to lead this group
<BR>and retake the tower which was their home? He prayed that he could.
<BR>
<BR>"All right, lads and lasses." said the otter. "We're going back into the
<BR>Lighthouse to reclaim it. Now, it stands to reason that a direct assault
<BR>will be no less that a total failure, so we're going to be sneaky. Here's
<BR>what we'll do..." As he elaborated the plan, some people began to smile,
<BR>some to frown and shake their heads in dismay. However, all agreed.
<BR>
<BR>**
<BR>
<BR>The soldier he saw earlier is not any kind of rat; Kirk can see that clearly
<BR>now. Rats don't have wings. He's looking at a bat.
<BR>
<BR>"You are?" he asks.
<BR>
<BR>"Corporal Mortimer Jahnsen," the bat replies. "Serving under Captain
<BR>Breckenridge. Where's the rest of the South Gate guard, sir?"
<BR>
<BR>"Back at the Gate," says Kirk, peering about the tower while he fills the
<BR>Lieutenant in. "They're holding it as long as possible, at which point they
<BR>sync up with everyone at the Banquet Hall.
<BR>
<BR>There really isn't much to see in the tower, he notes idly; most of the kids
<BR>managed to discover that rather quickly. The only major points of interest
<BR>consist of two sets of stairs leading upward (rotating up clockwise as
<BR>always), one presumably to various archery posts in the wall of the tower,
<BR>the other leading to other floors like this. There's also a heavy wooden door
<BR>which they just came through, barred shut now and thankfully not being
<BR>pounded on. There's also several barrels off in a corner, presumably holding
<BR>water or food or similar supplies, and a staircase heading down. This last is
<BR>currently populated with children as they head downwards torwards the
<BR>cellars, and the tunnels connected therein.
<BR>
<BR>"So you're just passing through, sir?"
<BR>
<BR>"Heading for the tunnels, right," Kirk tells him. "Southward bound. How're
<BR>people holding out here?"
<BR>
<BR>"Making it as hard as hell for them to get through, sir!" the corporal says
<BR>proudly. "No way they're getting through Our gates." Jahnsen is obviously a
<BR>very young soldier; perhaps he enlisted a few months back.
<BR>
<BR>"Right," Kirk grins, giving the corporal a punch on the shoulder - light by
<BR>his standards, but Jahnsen definitely notices. "You tell everyone I said to
<BR>make it as much hell for those Lutins as you possibly can."
<BR>
<BR>"Sir!" Jahnsen says, saluting smartly before heading up the stairs.
<BR>
<BR>"Good kid," Kirk mutters to himself before he heads down into the tunnels.
<BR>
<BR>**
<BR>
<BR>10pm.
<BR>
<BR>They're not nearly as bad as everyone swears they are. Nearly. The walls are
<BR>like black pearl, in some areas nearly reflecting the light from Kevin's
<BR>pseudo-witchlight. Of course, they'd all be shrouded in utter blackness if
<BR>ever the light went out, and the only sounds are those of dripping water and
<BR>shuffling footsteps as they move along, so madness could very easily claim
<BR>any one of them if they were alone here. At least I'm not alone, many of them
<BR>think to themselves.
<BR>
<BR>Several of the kids are yawning widely, clearly very tired - most of them
<BR>have bedtimes around 9, and it's well past that, but they still haven't found
<BR>what looks like an appropriate resting spot.
<BR>
<BR>Jeremy seems to be doing okay after his small encounter; he's been in pain
<BR>but it's gone, Jo has told him that he's going to be all right - she said
<BR>something like how the arrow glanced off a bone and manage to miss most of
<BR>the organs, but he has no clue what she's talking about there - and so he's
<BR>feeling Real good. _I've been in a battle, I was wounded, and I survived! has
<BR>been the prevailing thought on his mind for quite a while now. At this point,
<BR>though, he's thinking less and less of all the medals Duke Thomas is going to
<BR>give him for being a wounded war hero, and thinking more of when they're all
<BR>going to sleep. Of course, he doesn't mention this. The Deal is back on -
<BR>Uncle Jono said so just before they entered the tunnels - and he doesn't want
<BR>to risk losing a chance at the promised pie. And besides, no true war hero is
<BR>ever tired at 10pm.
<BR>
<BR>Jono, if he was aware of that thought, and thinking straight himself, would
<BR>likely disagree with this notion. He's been keeping himself very busy for the
<BR>past couple hours keeping kids out of harm's way as best he can - and, he
<BR>hesitantly admits to himself, doing a fairly decent job, excepting the arrow
<BR>that hit Jeremy but you couldn't have stopped that arrow, Jono even if you
<BR>were there you wouldn't have seen it coming. Still, he feels doubt about his
<BR>abilities now. He keeps focused outward, ears up and listening for any
<BR>possible sign of advancing Lutins that perchance might have discovered this
<BR>tunnel, determined not to lose or allow to be hurt any more of his charges.
<BR>Should have seen it coming. Derek didn't see it coming either, and he was
<BR>right next to Jeremy that instant. He seems pretty recovered now from his
<BR>earlier adventure out with the Lutin he pasted with a snowball. "If that had
<BR>been a *real* weapon, he'd be Long gone! He thinks to himself; he can exhibit
<BR>bravado now that he's not face to face with them anymore) but still wonders
<BR>about that moment from before with Jeremy. Of course he knew he had to keep
<BR>running; there was nothing that he could do for Jeremy, and he knew darn well
<BR>that there was no way Uncle Jono would *ever* leave Jeremy lying in the snow.
<BR>But doesn't a real warrior defend his comrades in arms? He could have taken
<BR>the arrow down with a snowball, if he'd had a little time to get the snowball
<BR>together and see it coming, that and if he hadn't been particularly obsessed
<BR>with running as fast as he could at the time.
<BR>
<BR>Daemion is feeling no remorseful feelings whatsoever. "I can be a Healer! I
<BR>really can help save people!" He'd certainly proved that beyond doubt, right
<BR>there, with one of his best friends hurting, in front of his dad and the
<BR>healer Joanne, and he did it! He feels he's got reason to be proud; the last
<BR>time he asked an actual Healer about what made it so difficult, he'd been
<BR>told that the biggest problem was being able to relate to the people and to
<BR>have the energy to help them; mixing the compounds that did the curing was
<BR>simple compared to that. And I just pulled that off! He's not thinking, of
<BR>course, that the circumstances were relatively good for this sort of thing
<BR>(he wasn't doing the fixing, this is a friend of his and thus someone he
<BR>knows, details like that). That would only discourage, and he doesn't Want to
<BR>be discouraged. He's going to be a Healer, and he knows it now.
<BR>
<BR>All Kevin knows at this point is that they are all in very, VERY serious
<BR>trouble. That storm is *not* natural! He said as much to the others while
<BR>they were assembling just outside the tunnel. For the first time ever since
<BR>his apprentice days, he was unable to draw on the manna needed to cast a
<BR>spell. And in the same instant, it was all too clear why. They've thrown this
<BR>storm at us and cut off our manna supply in the process. "Dear Gods, we are
<BR>all doomed." He's extremely nervous because the vast majority of his ability
<BR>to defend himself is through magical attacks and defenses. He's always been
<BR>able to provide proper support to anyone who needed it just through his
<BR>talents with the fire and lighting magics, and now... now nobody can provide
<BR>magic support. Nobody except Nasoj and his friends. He sees this as (quite
<BR>possibly correctly) the stroke that will kill Metamor, and so it's all
<BR>playing out in his mind. The hordes sweeping over the Keep, flowing into
<BR>Midtown and the Northern Midlands, then down through Ellcaran and across to
<BR>Elvquelin, through Kelewair and Salinon, destroying all they see, defiling
<BR>every place. "Dear Gods, we are all doomed."
<BR>
<BR>Joanne is thinking quite the opposite. "We still have hope. The Glen is still
<BR>free." She's absolutely certain of it. She still clearly remembers her
<BR>amazement at how well hidden the place managed to be, even After the stories
<BR>she heard about it from Garigan. "And I didn't even manage to check up on him
<BR>yet!" She realizes, wondering about what her friend might be up to. Knowing
<BR>him, of course, he's almost certainly eager to check up on the Glen, even
<BR>though (to her) it's perfectly obvious that there's no way Nasoj could
<BR>possibly find and defeat them. After all, the villages are in ruins. He
<BR>*knows* he destroyed the place. He wouldn't bother checking, even in the
<BR>summer, and this storm would clearly mark such activity as extraneous.
<BR>There's no way they could be in any danger. "The Glen is still free. We'll
<BR>get through this. There's still hope."
<BR>
<BR>Kirk's only hope is that they'll be through with these damned tunnels soon.
<BR>"I swear, these things take forever!" Even in the back of his mind he knows
<BR>that they haven't been travelling all that far; if they were aboveground it
<BR>would take just as long an amount of walking, except they'd have things to
<BR>occupy their Attention so it wouldn't Seem as bad. Villagers, homes, folks on
<BR>the walls to wave to and shout "Halloa!"s to. But that's in peacetime. Right
<BR>now all that would occupy our attention is those foul Lutins. So even though
<BR>he can't stand these tunnels, he knows it's the best option for the kids, and
<BR>so he begrudgingly follows them.
<BR>
<BR>Perry, as a counterpoint, follows quite willingly. "These are children of the
<BR>Keep. They are my Duty." He's always been one to take Duty seriously; back in
<BR>the days when he was a little one not much older than these kids he remembers
<BR>quite clearly how his Dad - his actual Dad before the Battle of the Three
<BR>Gates, not his mom-turned-Dad - used to lecture to him. "The men, and mayhap
<BR>in the future the women who have and will rule this realm shall and must
<BR>always be of good heart and intention. Be it that they Are of such heart, you
<BR>must follow and defend them and those they rule to the best of your ability;
<BR>be it that they are otherwise, you will seek to insure that those next in
<BR>line of good Heart are defended, for in time all rule reverts to the Wise and
<BR>the Just. This is your responsibility and your Duty as a warrior to be, and
<BR>the way of our family for generations." Perry, in keeping with these words,
<BR>has loyally followed Duke Thomas for all his life ever since he was old and
<BR>fit enough to join the Keep military, and he has never felt regret. He knows
<BR>he is part of a greater Whole, and nothing dissuades him from his part in it.
<BR>
<BR>Dana is still wondering what her part in this debacle is supposed to be. "How
<BR>did I get involved in this?" Of course, she can think of the obvious - her
<BR>younger brother (she never thinks of him as her little brother anymore) Kirk
<BR>had her under his command at the South Gate - he's always been the clever,
<BR>commanding one - and she kept with him when he went off to assist Jono, and
<BR>thus somehow ended up tagging along. But she's not all that effective in
<BR>these circumstances; since her becoming *her*self rather than *him*self,
<BR>she's gotten excellent at general swordplay, and thus can easily fight off
<BR>individual Lutins or even pairs of them for hours without breaking much of a
<BR>sweat; thus her position as a Gate guard. But here, she only managed battle
<BR>out in the open as Darren because her size at the time intimidated enough
<BR>that few had the courage to charge, and now as Dana it's even more difficult
<BR>for her to move in the open properly. She could probably fight in the
<BR>tunnels, though. Hopefully she won't have to put this into practice.
<BR>
<BR>All Josh is practicing at the moment is blank mindless terror. Josh is too
<BR>young to think of much more than one thing at once, and right now that thing
<BR>specifically is all the bad guys out there who are going to eat him. "But
<BR>Uncle Jono's here," he reminds himself. "Uncle Jono can beat any bad guy!" So
<BR>when Uncle Jono says that they can stop here for the night, he will stop.
<BR>Because it's Uncle Jono.
<BR>
<BR>Jono's only just getting started about thinking about stopping when suddenly
<BR>the tunnel turns a corner - for the first time in all this time - and they
<BR>find themselves in what looks to be a cellar of some kind. In one of the far
<BR>corners is a large pile of hay that stretches out across most of the floor;
<BR>the other corners are filled by large sacks of what could be grain stacked
<BR>all the way up to the ceiling. Said ceiling looks to be made of wood? Jono
<BR>gestures to Kevin, who raises the witchlight. Yes, it's wood.
<BR>
<BR>"Anyone know this place?" Jono asks, his voice just hovering at the whisper
<BR>level.
<BR>
<BR>"Cellar of the mill tower," Kirk replies, also whispering. "I think this
<BR>might be a good place to stop. The kids are getting tired."
<BR>
<BR>Jono nods, then turns to the kids. "Okay, everyone," he says, talking only
<BR>barely above a whisper. Various kids stop and tap others on the shoulder so
<BR>they can all pay close attention. "We've found ourselves a nice safe spot to
<BR>sleep tonight. The Deal's still going on, though, so I need everyone to be
<BR>quiet. There's a pile of hay over there so you can get some of that to sleep
<BR>on. Sleep well, everyone!" He tries to keep his voice cheery, but it's
<BR>difficult when you're trying to keep your voice down. Still, the spirits of
<BR>the children seem to be adequately raised, and so they head over en mass to
<BR>the haystack, gathering bits of hay for places to sleep.
<BR>
<BR>Jono turns to the others. "Watches?"
<BR>
<BR>"Dana and I, Perry and Kevin, you and Jo," Kirk says quickly. "I think you
<BR>two ought to take third, Perry and Kevin take second, while the two of us
<BR>take first. You're all very tired from the ordeal, and need to get your
<BR>sleep."
<BR>
<BR>Jono doesn't argue; instead he simply nods. "Agreed here."
<BR>
<BR>Nobody else voices an objection, so Kevin sets the stone projecting the
<BR>pseudo-witchlight down in the center of the room so the two on watch can see,
<BR>and then Kirk and Dana each pick a spot opposite each other, leaning against
<BR>the sacks of grain as everyone else settles down to sleep.
<BR>
<BR>**
<BR>
<BR>12/24 - 11pm
<BR>
<BR>Two figures moved slowly down the corridor. Both moved with a care and
<BR>stealth that bespoke many long years of ambush and fighting. Coming to an
<BR>intersection they stopped. The man in the lead was tall, with hard eyes that
<BR>stared at the world from beneath a tangled mane of hair. Gold rings decorated
<BR>his ears and hands. In spite of the relative warmth of the Keep, he was
<BR>dressed in a thick fur coat. In his hands was a spear longer then he was
<BR>tall. Gold covered the blade at the tip and runes covered the wooden handle.
<BR>
<BR>"Ferwig, we are close to him," said the woman behind him. The three rings in
<BR>her right ear jingled as she nodded to emphasize her point. Like her
<BR>counterpart she was dressed in heavy furs. Unlike him she carried no obvious
<BR>weapons.
<BR>
<BR>"How close Teria? Which way?" Ferwig asked.
<BR>
<BR>Her gloved hand pointed to the left, down a hallway. "In that direction forty
<BR>feet. Around a corner," she answered in a confident voice.
<BR>
<BR>The man nodded and moved off in the indicated direction. In a moment they
<BR>reached a corner and both stopped. Ferwig quickly peered around the corner
<BR>and then pulled his head back. "There's nothing there," He told her. "No
<BR>guard, no sentry post, not even a door."
<BR>
<BR>Teria closed he eyes and muttered an incantation under breath. She stood
<BR>unmoving for a moment, then pointed off in the direction they had just come
<BR>from. "Now it is that way, thirty yards."
<BR>
<BR>Ferwig muttered a curse under his breath and started off back down the
<BR>corridor. The weird magic of this place was unnerving him. He knew it was
<BR>unnerving Teria as well, but she would never admit it. They had entered the
<BR>Keep with four others but Ferwig and Teria had lost them. No dramatic fight
<BR>or insidious trap, Ferwig and Teria had turned a corner and lost sight of the
<BR>others for a moment. They turned back around the corner and the others were
<BR>gone, and so was the corridor they had been in. All they found was a door
<BR>leading to an empty room. No amount of magic could turn up any trace of what
<BR>had happened to the other four. They couldn't spare any time to search for
<BR>them, they simply had to push onward without them.
<BR>
<BR>They had gone about twenty feet they came to a door set in one wall, a door
<BR>that hadn't been there before. The sign on it read simply "Patrol Master" in
<BR>gold inlayed lettering. Below those words was the image of a bow and a boot,
<BR>also in gold inlay. No guards blocked their way.
<BR>
<BR>Teria passed her hand over the door and its knob with her eyes closed. She
<BR>opened her eyes and looking at her partner, shook her head, indicating that
<BR>the portal was not protected by any magic or traps. Ferwig gripped his spear
<BR>and nodded his head towards the door.
<BR>
<BR>The woman calmly began a quiet incantation, moving her hands in small
<BR>circles, until a dull red glow started to eminent from her fingertips. Ferwig
<BR>kicked in the door with a heavily booted foot.
<BR>
<BR>Teria pointed her hands into the room, "FA SHUM," she shouted and the glow
<BR>shot off her hands and raced through the door. A brilliant flash of light and
<BR>dull boom lit up the room and flames licked at the doorframe for a moment,
<BR>then died down. Spear in hand, Ferwig rushed through the door with Teria
<BR>close behind.
<BR>
<BR>**
<BR>
<BR> End part 14
<BR></FONT></HTML>